Friday, March 29, 2013

Turin Shroud 'is not a medieval forgery'


Many Catholics believe that the 14ft-long linen cloth was used to cover Christ's body when he was lifted down from the cross after being crucified. Photo: EPA

The Turin Shroud is not a medieval forgery, as has long been claimed, but could in fact date from the time of Christ's death, a new book claims. 

By Nick Squires, Rome correspondent 
10:24AM GMT 28 Mar 2013
Experiments conducted by scientists at the University of Padua in northern Italy have dated the shroud to ancient times, a few centuries before and after the life of Christ.

Many Catholics believe that the 14ft-long linen cloth, which bears the imprint of the face and body of a bearded man, was used to bury Christ's body when he was lifted down from the cross after being crucified 2,000 years ago. 
The analysis is published in a new book, "Il Mistero della Sindone" or The Mystery of the Shroud, by Giulio Fanti, a professor of mechanical and thermal measurement at Padua University, and Saverio Gaeta, a journalist. [Read more]

Monday, May 3, 2010

Sunday, May 2, 2010

Shroud of Turin 'mirrors' human suffering: pope

by Gina Doggett

TURIN, Italy (AFP) – Throngs of pilgrims filled Turin's Piazza San
Carlo on Sunday as Pope Benedict XVI celebrated mass before visiting the Shroud of Turin, believed by many to be the burial cloth of Jesus Christ.

"The Holy Shroud eloquently reminds us always" of Jesus' suffering, the pope said in his homily of one of the most revered objects in Christendom and also one of the most disputed.

The mysterious linen, which shows a man's body and face many believe to be of Jesus, "mirrors our suffering in the suffering of Christ," said the pontiff near the cathedral housing the shroud.
For the rest of the article: Shroud of Turin 'mirrors' human suffering: pope

Sunday, April 11, 2010

Shroud of Turin Goes on Display


Image courtesy of REUTERS/ Giorgio Perottino.

Play slideshow. Gallery.

See also:

Diana Magnay, "Shroud of Turin on display for first time since 2002 restoration," CNN.com (11 Apr 2010).

Frances D'Emilio and Francesco Manetti, "Public to get look at Shroud of Turin," MSNBC.com (9 Apr 2010).

"Turin Shroud goes on display for first time in 10 years," BBC News (10 Apr 2010).

Wednesday, March 31, 2010

The Real Face of Jesus?

The History Channel had an interesting documentary last night where computer graphics artists created a 3D model of the face from the Shroud of Turin.


Closeup of the face on the Shroud of Turin. Click for more History Channel photos.

Included on their website were articles About the "Real Face of Jesus," the Shroud of Turin, and the technology involved.

Friday, November 20, 2009

Researcher: Faint writing seen on Shroud of Turin

By ARIEL DAVID
The Associated Press

ROME (AP) — A Vatican researcher has rekindled the age-old debate over the Shroud of Turin, saying that faint writing on the linen proves it was the burial cloth of Jesus.

Experts say the historian may be reading too much into the markings, and they stand by carbon-dating that points to the shroud being a medieval forgery.

Barbara Frale, a researcher at the Vatican archives, says in a new book that she used computer-enhanced images of the shroud to decipher faintly written words in Greek, Latin and Aramaic scattered across the cloth.

She asserts that the words include the name “(J)esu(s) Nazarene” — or Jesus of Nazareth — in Greek. That, she said, proves the text could not be of medieval origin because no Christian at the time, even a forger, would have mentioned Jesus without referring to his divinity. Failing to do so would risk being branded a heretic.

“Even someone intent on forging a relic would have had all the reasons to place the signs of divinity on this object,” Frale said Friday. “Had we found ‘Christ’ or the ‘Son of God’ we could have considered it a hoax, or a devotional inscription.”

The shroud bears the figure of a crucified man, complete with blood seeping from his hands and feet, and believers say Christ’s image was recorded on the linen’s fibers at the time of his resurrection.

The fragile artifact, owned by the Vatican, is kept locked in a protective chamber in a Turin cathedral and is rarely shown. Measuring 13 feet (four meters) long and three feet (one meter) wide, the shroud has suffered severe damage through the centuries, including from fire.

The Catholic Church makes no claims about the cloth’s authenticity, but says it is a powerful symbol of Christ’s suffering.

There has been strong debate about it in the scientific community.

Skeptics point out that radiocarbon dating conducted on the cloth in 1988 determined it was made in the 13th or 14th century.

But Raymond Rogers of Los Alamos National Laboratory said in 2005 that the tested threads came from patches used to repair the shroud after a fire. Rogers, who died shortly after publishing his findings, calculated it is 1,300 to 3,000 years old and could easily date from Jesus’ era.

Another study, by the Hebrew University, concluded that pollen and plant images on the shroud showed it originated in the area around Jerusalem sometime before the eighth century.

While faint letters scattered around the face on the shroud were seen decades ago, serious researchers dismissed them, due to the results of the radiocarbon dating test, Frale told The Associated Press.

But when she cut out the words from enhanced photos of the shroud and showed them to experts, they concurred the writing style was typical of the Middle East in the first century — Jesus’ time.

She believes the text was written on a document by a clerk and glued to the shroud over the face so the body could be identified by relatives and buried properly. Metals in the ink used at the time may have allowed the writing to transfer to the linen, Frale said.

She said she counted at least 11 words in her study of enhanced images produced by French scientists in a 1994 study. The words are fragmented and scattered on and around the image’s head, crisscrossing the cloth vertically and horizontally.

One short sequence of Aramaic letters has not been fully translated. Another fragment in Greek — “iber” — may refer to Emperor Tiberius, who reigned at the time of Jesus’ crucifixion, Frale said.

She said the text also partially confirms the Gospels’ account of Jesus’ final moments. A fragment in Greek that can be read as “removed at the ninth hour” may refer to Christ’s time of death reported in the holy texts, she said.

In her book “The Shroud of Jesus Nazarene,” published in Italian, Frale reconstructs from the lettering on the shroud what she believes Jesus’ death certificate said: “Jesus Nazarene. Found (guilty of inciting the people to revolt). Put to death in the year 16 of Tiberius. Taken down at the ninth hour.”

She said the text then stipulates the body will returned to relatives after a year.

Frale said her research was done without the support of the Vatican.

“I tried to be objective and leave religious issues aside,” Frale told the AP. “What I studied was an ancient document that certifies the execution of a man, in a specific time and place.”

Frale’s work usually focuses on medieval documents. She is noted for research on the order of the Knights Templar and her discovery of unpublished documents on the group in the Vatican’s archives.

Earlier this year, she published a study saying the Templars once had the shroud in their possession. That raised eyebrows because the order was abolished in the early 14th century and the shroud is first recorded in history around 1360 in the hands of a French knight.

Her latest book on the shroud raised even more doubts among some experts.

On one hand, it is true that a medieval forger would label the object with Christ’s name, as were all relics produced at the time, said Antonio Lombatti, a church historian who has written about the shroud. The problem is that there are no inscriptions to be seen in the first place.

“People work on grainy photos and think they see things,” Lombatti told the AP. “It’s all the result of imagination and computer software. ... If you look at a photo of the shroud, there’s a lot of contrast between light and dark, but there are no letters.”

Further criticizing Frale’s work, Lombatti said that artifacts bearing Greek and Aramaic texts were found in Jewish burials from the first century, but the use of Latin is unheard of.

He also rejected the idea that authorities would officially return the body of a crucified man to relatives after filling out some paperwork. Victims of that form of execution used by the Romans would usually be left on the cross or were disposed of in a dump to add to its deterrent.

Lombatti said “the message was that you won’t even have a tomb to cry over.”

Another shroud expert, Gian Marco Rinaldi, said that even scientists who believe in the relic’s authenticity have dismissed as unreliable the images on which Frale’s study was based.

“These computer enhancements increase contrast in an unrealistic way to bring out these signs,” he said. “You can find them all over the shroud, not just near the head, and then with a bit of imagination, you see letters.”

Unusual sightings in the shroud are common and are often proved false, said Luigi Garlaschelli, a professor of chemistry at the University of Pavia. He recently led a team of experts that reproduced the shroud using materials and methods available in the 14th century — proof, they said, that it could have been made by a human hand in the Middle Ages.

Decades ago, entire studies were published on coins purportedly seen on Jesus’ closed eyes, but when high-definition images were taken during a 2002 restoration, the artifacts were nowhere to be seen and the theory was dropped, Garlaschelli said.

He said any theory about ink and metals would have to be checked by analysis of the shroud itself.

The last public display of the shroud was in 2000, when more than 1 million people turned up to see it. The next is scheduled for 2010, and Pope Benedict XVI has been asked to visit it.

SOURCE: Ariel David, "Faint writing seen on Shroud of Turin," TimesHerald.com (20 Nov 2009).

Monday, October 5, 2009

Italian Scientist Claims to have Reproduced Shroud of Turin


Philip Pullella has the following Reuters story at Yahoo! News. This writer is skeptical that the scientist, Luigi Garlaschelli, has reproduced all of the physical and chemical aspects of the Shroud. Contact images in the past have not passed the 3D test and have typically had a distorted appearance.


ROME (Reuters) – An Italian scientist says he has reproduced the Shroud of Turin, a feat that he says proves definitively that the linen some Christians revere as Jesus Christ's burial cloth is a medieval fake.

The shroud, measuring 14 feet, 4 inches by 3 feet, 7 inches bears the image, eerily reversed like a photographic negative, of a crucified man some believers say is Christ.

"We have shown that is possible to reproduce something which has the same characteristics as the Shroud," Luigi Garlaschelli, who is due to illustrate the results at a conference on the para-normal this weekend in northern Italy, said on Monday.

A professor of organic chemistry at the University of Pavia, Garlaschelli made available to Reuters the paper he will deliver and the accompanying comparative photographs.

The Shroud of Turin shows the back and front of a bearded man with long hair, his arms crossed on his chest, while the entire cloth is marked by what appears to be rivulets of blood from wounds in the wrists, feet and side.

Carbon dating tests by laboratories in Oxford, Zurich and Tucson, Arizona in 1988 caused a sensation by dating it from between 1260 and 1390. Sceptics said it was a hoax, possibly made to attract the profitable medieval pilgrimage business.

But scientists have thus far been at a loss to explain how the image was left on the cloth.

Garlaschelli reproduced the full-sized shroud using materials and techniques that were available in the middle ages.

They placed a linen sheet flat over a volunteer and then rubbed it with a pigment containing traces of acid. A mask was used for the face.

PIGMENT, BLOODSTAINS AND SCORCHES

The pigment was then artificially aged by heating the cloth in an oven and washing it, a process which removed it from the surface but left a fuzzy, half-tone image similar to that on the Shroud.

He believes the pigment on the original Shroud faded naturally over the centuries.

They then added blood stains, burn holes, scorches and water stains to achieve the final effect.

The Catholic Church does not claim the Shroud is authentic nor that it is a matter of faith, but says it should be a powerful reminder of Christ's passion.

One of Christianity's most disputed relics, it is locked away at Turin Cathedral in Italy and rarely exhibited. It was last on display in 2000 and is due to be shown again next year.

Garlaschelli expects people to contest his findings.

"If they don't want to believe carbon dating done by some of the world's best laboratories they certainly won't believe me," he said.

The accuracy of the 1988 tests was challenged by some hard-core believers who said restorations of the Shroud in past centuries had contaminated the results.

The history of the Shroud is long and controversial.

After surfacing in the Middle East and France, it was brought by Italy's former royal family, the Savoys, to their seat in Turin in 1578. In 1983 ex-King Umberto II bequeathed it to the late Pope John Paul.

The Shroud narrowly escaped destruction in 1997 when a fire ravaged the Guarini Chapel of the Turin Cathedral where it is held. The cloth was saved by a fireman who risked his life.

Garlaschelli received funding for his work by an Italian association of atheists and agnostics but said it had no effect on his results.

"Money has no odor," he said. "This was done scientifically. If the Church wants to fund me in the future, here I am."
See also: