Showing posts with label Shroud. Show all posts
Showing posts with label Shroud. Show all posts

Friday, January 10, 2025

A Shroud for Our Skeptical Times – National Catholic Register

 Close-up of the Shroud of Turin.
Close-up of the Shroud of Turin. (photo: Godongphoto / Shutterstock)

EDITORIAL: Did Jesus already know that 21st-century technology would be the only way to confirm his resurrected reality to an increasingly irreligious society?

Reports about recent scientific findings that appear to support the authenticity of the Shroud of Turin garnered widespread coverage in secular media outlets last month. 

But none of those media accounts delved into this central question: Assuming the image visible on the fabric of the shroud really is that of the Crucified Christ — supernaturally imprinted there by Jesus himself, as he lay in the tomb between his crucifixion on Good Friday and his resurrection on the first Easter Sunday — why did the Son of God choose to leave behind this scientifically verifiable evidence of his death on the cross? [Read More.]

 

 

Monday, May 3, 2010

Sunday, May 2, 2010

Shroud of Turin 'mirrors' human suffering: pope

by Gina Doggett

TURIN, Italy (AFP) – Throngs of pilgrims filled Turin's Piazza San
Carlo on Sunday as Pope Benedict XVI celebrated mass before visiting the Shroud of Turin, believed by many to be the burial cloth of Jesus Christ.

"The Holy Shroud eloquently reminds us always" of Jesus' suffering, the pope said in his homily of one of the most revered objects in Christendom and also one of the most disputed.

The mysterious linen, which shows a man's body and face many believe to be of Jesus, "mirrors our suffering in the suffering of Christ," said the pontiff near the cathedral housing the shroud.
For the rest of the article: Shroud of Turin 'mirrors' human suffering: pope

Sunday, April 11, 2010

Shroud of Turin Goes on Display


Image courtesy of REUTERS/ Giorgio Perottino.

Play slideshow. Gallery.

See also:

Diana Magnay, "Shroud of Turin on display for first time since 2002 restoration," CNN.com (11 Apr 2010).

Frances D'Emilio and Francesco Manetti, "Public to get look at Shroud of Turin," MSNBC.com (9 Apr 2010).

"Turin Shroud goes on display for first time in 10 years," BBC News (10 Apr 2010).

Friday, November 20, 2009

Researcher: Faint writing seen on Shroud of Turin

By ARIEL DAVID
The Associated Press

ROME (AP) — A Vatican researcher has rekindled the age-old debate over the Shroud of Turin, saying that faint writing on the linen proves it was the burial cloth of Jesus.

Experts say the historian may be reading too much into the markings, and they stand by carbon-dating that points to the shroud being a medieval forgery.

Barbara Frale, a researcher at the Vatican archives, says in a new book that she used computer-enhanced images of the shroud to decipher faintly written words in Greek, Latin and Aramaic scattered across the cloth.

She asserts that the words include the name “(J)esu(s) Nazarene” — or Jesus of Nazareth — in Greek. That, she said, proves the text could not be of medieval origin because no Christian at the time, even a forger, would have mentioned Jesus without referring to his divinity. Failing to do so would risk being branded a heretic.

“Even someone intent on forging a relic would have had all the reasons to place the signs of divinity on this object,” Frale said Friday. “Had we found ‘Christ’ or the ‘Son of God’ we could have considered it a hoax, or a devotional inscription.”

The shroud bears the figure of a crucified man, complete with blood seeping from his hands and feet, and believers say Christ’s image was recorded on the linen’s fibers at the time of his resurrection.

The fragile artifact, owned by the Vatican, is kept locked in a protective chamber in a Turin cathedral and is rarely shown. Measuring 13 feet (four meters) long and three feet (one meter) wide, the shroud has suffered severe damage through the centuries, including from fire.

The Catholic Church makes no claims about the cloth’s authenticity, but says it is a powerful symbol of Christ’s suffering.

There has been strong debate about it in the scientific community.

Skeptics point out that radiocarbon dating conducted on the cloth in 1988 determined it was made in the 13th or 14th century.

But Raymond Rogers of Los Alamos National Laboratory said in 2005 that the tested threads came from patches used to repair the shroud after a fire. Rogers, who died shortly after publishing his findings, calculated it is 1,300 to 3,000 years old and could easily date from Jesus’ era.

Another study, by the Hebrew University, concluded that pollen and plant images on the shroud showed it originated in the area around Jerusalem sometime before the eighth century.

While faint letters scattered around the face on the shroud were seen decades ago, serious researchers dismissed them, due to the results of the radiocarbon dating test, Frale told The Associated Press.

But when she cut out the words from enhanced photos of the shroud and showed them to experts, they concurred the writing style was typical of the Middle East in the first century — Jesus’ time.

She believes the text was written on a document by a clerk and glued to the shroud over the face so the body could be identified by relatives and buried properly. Metals in the ink used at the time may have allowed the writing to transfer to the linen, Frale said.

She said she counted at least 11 words in her study of enhanced images produced by French scientists in a 1994 study. The words are fragmented and scattered on and around the image’s head, crisscrossing the cloth vertically and horizontally.

One short sequence of Aramaic letters has not been fully translated. Another fragment in Greek — “iber” — may refer to Emperor Tiberius, who reigned at the time of Jesus’ crucifixion, Frale said.

She said the text also partially confirms the Gospels’ account of Jesus’ final moments. A fragment in Greek that can be read as “removed at the ninth hour” may refer to Christ’s time of death reported in the holy texts, she said.

In her book “The Shroud of Jesus Nazarene,” published in Italian, Frale reconstructs from the lettering on the shroud what she believes Jesus’ death certificate said: “Jesus Nazarene. Found (guilty of inciting the people to revolt). Put to death in the year 16 of Tiberius. Taken down at the ninth hour.”

She said the text then stipulates the body will returned to relatives after a year.

Frale said her research was done without the support of the Vatican.

“I tried to be objective and leave religious issues aside,” Frale told the AP. “What I studied was an ancient document that certifies the execution of a man, in a specific time and place.”

Frale’s work usually focuses on medieval documents. She is noted for research on the order of the Knights Templar and her discovery of unpublished documents on the group in the Vatican’s archives.

Earlier this year, she published a study saying the Templars once had the shroud in their possession. That raised eyebrows because the order was abolished in the early 14th century and the shroud is first recorded in history around 1360 in the hands of a French knight.

Her latest book on the shroud raised even more doubts among some experts.

On one hand, it is true that a medieval forger would label the object with Christ’s name, as were all relics produced at the time, said Antonio Lombatti, a church historian who has written about the shroud. The problem is that there are no inscriptions to be seen in the first place.

“People work on grainy photos and think they see things,” Lombatti told the AP. “It’s all the result of imagination and computer software. ... If you look at a photo of the shroud, there’s a lot of contrast between light and dark, but there are no letters.”

Further criticizing Frale’s work, Lombatti said that artifacts bearing Greek and Aramaic texts were found in Jewish burials from the first century, but the use of Latin is unheard of.

He also rejected the idea that authorities would officially return the body of a crucified man to relatives after filling out some paperwork. Victims of that form of execution used by the Romans would usually be left on the cross or were disposed of in a dump to add to its deterrent.

Lombatti said “the message was that you won’t even have a tomb to cry over.”

Another shroud expert, Gian Marco Rinaldi, said that even scientists who believe in the relic’s authenticity have dismissed as unreliable the images on which Frale’s study was based.

“These computer enhancements increase contrast in an unrealistic way to bring out these signs,” he said. “You can find them all over the shroud, not just near the head, and then with a bit of imagination, you see letters.”

Unusual sightings in the shroud are common and are often proved false, said Luigi Garlaschelli, a professor of chemistry at the University of Pavia. He recently led a team of experts that reproduced the shroud using materials and methods available in the 14th century — proof, they said, that it could have been made by a human hand in the Middle Ages.

Decades ago, entire studies were published on coins purportedly seen on Jesus’ closed eyes, but when high-definition images were taken during a 2002 restoration, the artifacts were nowhere to be seen and the theory was dropped, Garlaschelli said.

He said any theory about ink and metals would have to be checked by analysis of the shroud itself.

The last public display of the shroud was in 2000, when more than 1 million people turned up to see it. The next is scheduled for 2010, and Pope Benedict XVI has been asked to visit it.

SOURCE: Ariel David, "Faint writing seen on Shroud of Turin," TimesHerald.com (20 Nov 2009).

Monday, October 5, 2009

Italian Scientist Claims to have Reproduced Shroud of Turin


Philip Pullella has the following Reuters story at Yahoo! News. This writer is skeptical that the scientist, Luigi Garlaschelli, has reproduced all of the physical and chemical aspects of the Shroud. Contact images in the past have not passed the 3D test and have typically had a distorted appearance.


ROME (Reuters) – An Italian scientist says he has reproduced the Shroud of Turin, a feat that he says proves definitively that the linen some Christians revere as Jesus Christ's burial cloth is a medieval fake.

The shroud, measuring 14 feet, 4 inches by 3 feet, 7 inches bears the image, eerily reversed like a photographic negative, of a crucified man some believers say is Christ.

"We have shown that is possible to reproduce something which has the same characteristics as the Shroud," Luigi Garlaschelli, who is due to illustrate the results at a conference on the para-normal this weekend in northern Italy, said on Monday.

A professor of organic chemistry at the University of Pavia, Garlaschelli made available to Reuters the paper he will deliver and the accompanying comparative photographs.

The Shroud of Turin shows the back and front of a bearded man with long hair, his arms crossed on his chest, while the entire cloth is marked by what appears to be rivulets of blood from wounds in the wrists, feet and side.

Carbon dating tests by laboratories in Oxford, Zurich and Tucson, Arizona in 1988 caused a sensation by dating it from between 1260 and 1390. Sceptics said it was a hoax, possibly made to attract the profitable medieval pilgrimage business.

But scientists have thus far been at a loss to explain how the image was left on the cloth.

Garlaschelli reproduced the full-sized shroud using materials and techniques that were available in the middle ages.

They placed a linen sheet flat over a volunteer and then rubbed it with a pigment containing traces of acid. A mask was used for the face.

PIGMENT, BLOODSTAINS AND SCORCHES

The pigment was then artificially aged by heating the cloth in an oven and washing it, a process which removed it from the surface but left a fuzzy, half-tone image similar to that on the Shroud.

He believes the pigment on the original Shroud faded naturally over the centuries.

They then added blood stains, burn holes, scorches and water stains to achieve the final effect.

The Catholic Church does not claim the Shroud is authentic nor that it is a matter of faith, but says it should be a powerful reminder of Christ's passion.

One of Christianity's most disputed relics, it is locked away at Turin Cathedral in Italy and rarely exhibited. It was last on display in 2000 and is due to be shown again next year.

Garlaschelli expects people to contest his findings.

"If they don't want to believe carbon dating done by some of the world's best laboratories they certainly won't believe me," he said.

The accuracy of the 1988 tests was challenged by some hard-core believers who said restorations of the Shroud in past centuries had contaminated the results.

The history of the Shroud is long and controversial.

After surfacing in the Middle East and France, it was brought by Italy's former royal family, the Savoys, to their seat in Turin in 1578. In 1983 ex-King Umberto II bequeathed it to the late Pope John Paul.

The Shroud narrowly escaped destruction in 1997 when a fire ravaged the Guarini Chapel of the Turin Cathedral where it is held. The cloth was saved by a fireman who risked his life.

Garlaschelli received funding for his work by an Italian association of atheists and agnostics but said it had no effect on his results.

"Money has no odor," he said. "This was done scientifically. If the Church wants to fund me in the future, here I am."
See also:

Sunday, April 5, 2009

Knights Templar hid the Shroud of Turin, says Vatican


The Knights Templar, a crusading order which was suppressed and disbanded for alleged heresy.

Medieval knights hid and secretly venerated The Holy Shroud of Turin for more than 100 years after the Crusades, the Vatican said yesterday in an announcement that appeared to solve the mystery of the relic’s missing years.

The Knights Templar, an order which was suppressed and disbanded for alleged heresy, took care of the linen cloth, which bears the image of a man with a beard, long hair and the wounds of crucifixion, according to Vatican researchers.

The Shroud, which is kept in the royal chapel of Turin Cathedral, has long been revered as the shroud in which Jesus was buried, although the image only appeared clearly in 1898 when a photographer developed a negative.

Barbara Frale, a researcher in the Vatican Secret Archives, said the Shroud had disappeared in the sack of Constantinople in 1204 during the Fourth Crusade, and did not surface again until the middle of the fourteenth century. Writing in L'Osservatore Romano, the Vatican newspaper, Dr Frale said its fate in those years had always puzzled historians.

However her study of the trial of the Knights Templar had brought to light a document in which Arnaut Sabbatier, a young Frenchman who entered the order in 1287, testified that as part of his initiation he was taken to “a secret place to which only the brothers of the Temple had access”.

There he was shown “a long linen cloth on which was impressed the figure of a man” and instructed to venerate the image by kissing its feet three times.

Dr Frale said that among other alleged offences such as sodomy, the Knights Templar had been accused of worshipping idols, in particular a “bearded figure”. In reality however the object they had secretly venerated was the Shroud.

They had rescued it to ensure that it did not fall into the hands of heretical groups such as the Cathars, who claimed that Christ did not have a true human body, only the appearance of a man, and could therefore not have died on the Cross and been resurrected. She said her discovery vindicated a theory first put forward by the British historian Ian Wilson in 1978.

The Knights Templar were founded at the time of the First Crusade in the eleventh century to protect Christians making the pilgrimage to Jerusalem. The Order was endorsed by the Pope, but when Acre fell in 1291 and the Crusaders lost their hold on the Holy Land their support faded, amid growing envy of their fortune in property and banking.

Rumours about the order’s corrupt and arcane secret ceremonies claimed that novices had to deny Christ three times, spit on the cross, strip naked and kiss their superior on the buttocks, navel, and lips and submit to sodomy. King Philip IV of France, who coveted the order’s wealth and owed it money, arrested its leaders and put pressure on Pope Clement V to dissolve it.

Several knights, including the Grand Master, Jacques de Molay, were burned at the stake. Legends of the Templars’ secret rituals and lost treasures have long fascinated conspiracy theorists, and figure in The Da Vinci Code, which repeated the theory that the knights were entrusted with the Holy Grail.

In 2003 Dr Frale, the Vatican’s medieval specialist, unearthed the record of the trial of the Templars, also known as the Chinon Parchment, after realising that it had been wrongly catalogued. The parchment showed that Pope Clement V had accepted the Templars were guilty of “grave sins”, such as corruption and sexual immorality, but not of heresy.

Their initiation ceremony involved spitting on the Cross, but this was to brace them for having to do so if captured by Muslim forces, Dr Frale said. Last year she published for the first time the prayer the Knights Templar composed when “unjustly imprisoned”, in which they appealed to the Virgin Mary to persuade "our enemies” to abandon calumnies and lies and revert to truth and charity.

Radiocarbon dating tests on the Turin Shroud in 1988 indicated that it was a medieval fake. However this had been challenged on the grounds that the dated sample was taken from an area of the shroud mended after a fire in the Middle Ages and not a part of the original cloth.

After the sack of Constantinople it was next seen at Lirey in France in 1353, when it was displayed in a local church by descendants of Geoffroy de Charney, a Templar Knight burned at the stake with Jacques de Molay.

It was moved to various European cities until it was acquired by the Savoy dynasty in Turin in the sixteenth century. Holy See property since 1983, the Shroud was last publicly exhibited in 2000, and is due to go on show again next year.

The Vatican has not declared whether it is genuine or a forgery, leaving it to believers to decide. The late John Paul II said it was “an icon of the suffering of the innocent in every age.” The self proclaimed heirs of the Knights Templar have asked the Vatican to “restore the reputation” of the disgraced order and acknowledge that assets worth some £80 million were confiscated.

The Association of the Sovereign Order of the Temple of Christ, based in Spain, said that when the order was dissolved by Pope Clement V in 1307, more than 9,000 properties, farms and commercial ventures belonging to knights were seized by the Church. A British branch also claiming descent from the Knights Templar and based in Hertfordshire has called for a papal apology for the persecution of the order.

SOURCE: Richard Owen, "Knights Templar hid the Shroud of Turin, says Vatican," Times Online (6 Apr 2009).

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Tuesday, January 6, 2009

What is the Shroud of Turin?


© 2002, Archdiocese of Turin. Courtesy of The Holy Shroud - Official Site.

The Shroud of Turin takes its name from the city in which it has been kept since September 14, 1578. It is a linen cloth about 14 feet 3 inches long and 3 feet 7 inches wide (437 cm x 111 cm). This measurement corresponds with the measurement of common burial shrouds in Palestine in the 1st century which was 8 x 2 Philaeterian cubits.1

The shroud is a herringbone twill with a 3:1 weave, of probable 1st century Syrian manufacture closely resembling 1st century textile fragments found at Masada. The flax fibrils also contain entwisted cotton fibrils from a previous work of the loom identified as Gossypium herbaceum, a Middle Eastern species not found in Europe.2

Burial shrouds have been used since ancient times and were wrapped lengthwise around the body as shown in the painting below, an aquatint attributed to Giovanni Battista della Rovere (1561-1630).3


La Santa Sindone, Galleria Sabauda, Turin.
Image courtesy of TIME 151: 15 (April 20, 1998): 52.

What is unique about the Turin Shroud is that it is the only burial shroud that bears the front and back images of a man who was beaten, scourged, and crucified.4

In 1978 a group of scientists, The Shroud of Turin Research Project (STURP), studied the Shroud intensively for 120 hours. They concluded that the image is not formed by paint, and that the image is caused by oxidation, dehydration, and conjugation of the cellulose in the linen.5 The image is quite faint and found only on the very outer surface of the linen fibers.

In 1898 an attorney named Secondo Pia was allowed to photograph the Shroud for the first time. He was amazed to discover while developing the film that on the negative he was actually seeing a positive image (see below B/W negative of the Shroud ventral image rotated to a vertical position)6 and that the details on the Shroud could be seen much more clearly.


Image ©1978, Barrie M. Schwortz.
Courtesy of
The Shroud of Turin Website.

Some of the notable features are the side wound, the blood flow down the arm, the nail wounds in the wrist and feet, various creases, and fold marks, scorch marks, and water stains. The patches sewn on by the Poor Clare nuns to repair the damage from the 1532 fire can be seen in older photographs. They were removed during the restoration in July 2002.

Tests on samples from the blood areas indicate that it is actual blood7 of human type AB.8 Forensic specialists have determined that the angle of the blood flows and the appearance of the wounds are accurate.9 Further on the areas where there is blood, the blood has saturated all the way through the fibers and there is no body image under the blood.10

Pollen from the Jerusalem area, Turkey, and Europe has been found on the Shroud.11 In addition, there appears to be an image of a coin over the right eye that has been identified as a lepton from the time of Pontius Pilate. Further scientific studies are needed, however, to confirm this finding.

Debate on whether the Shroud could be the burial cloth of Jesus of Nazareth has been heated, especially since the 1988 Carbon-14 dating indicated the Shroud was from the medieval period (1260-1390).12 The painting above which is from the late 16th century shows how an even later artist was not able to convincingly duplicate the features of the Shroud.

On January 20, 2005, Los Alamos chemist Raymond Rogers published a scientific paper proving that "the radiocarbon sample was not part of the original cloth of the Shroud of Turin,"13 and thus reopened the question of its age.

____________
NOTES
1. Ian Wilson and Barrie Schwortz, The Turin Shroud: The Illustrated Evidence, (London: Michael O'Mara, 2000), p. 42.
2. D. Barag, et al. (eds.), Masada IV: Lamps, Textiles, Basket, Wood, and Ballista Balls, v. 4 of the Reports of the Masada Excavations, Jerusalem (1994). See also Gilbert Raes, La Sindone, 1976; and J. Tyrer, Textile Horizons (Dec. 1981).
3.
There are also two similar paintings: (1) Gerolamo della Rovere's (1605-1637) Descent from the Cross, from the Biblioteca Reale in Turin can be seen at The Holy Shroud - Official Site; and (2) Jean Gaspard Baldoino's (1590-1669) Entombment of the Body of Christ in the Shroud, is in the Chapel of the Holy Shroud in Nice. Image courtesy of CRET: Le Saint Suaire.
4. Pierre Barbet, A Doctor at Calvary (NY: 1953); Robert Bucklin, "The Medical Aspects of the Crucifixion of Christ," Sindon (December 1961), pp. 5-11; Frederick T. Zugibe, The Cross and the Shroud: A Medical Examiner Interprets the Turin Shroud (NY: Angelus, 1982).
5. E.J. Jumper, A.D. Adler, J.P. Jackson, S.F. Pellicori, J.H. Heller, & J.R. Druzik, "A Comprehensive Examination of the Various Stains and Images on the Shroud of Turin," ACS Advances in Chemistry 205: Archaeological Chemistry III (American Chemical Soc., 1984), pp. 447-476.
6. ©1978, Barrie M. Schwortz. Courtesy of
The Shroud of Turin Website.
7. John Heller & Alan Adler, "A Chemical Investigation of the Shroud of Turin," Canadian Society for Forensic Science Journal 14:3 (1981), p. 92.
8. P. Baima-Bollone, M. Jorio, & A.L. Massaro, "Identification of the Group of the Traces of Human Blood on the Shroud, Shroud Spectrum International 6 (March 1983), pp. 3-6.
9. Barbet, Bucklin, and Zugibe, op.cit.
10. Jumper et al., op cit.
11. Max Frei, "Nine Years of Palinological Studies on the Shroud," Shroud Spectrum International 3 (June 1982), pp. 3-7; A. Danin, A. Whanger, U. Baruch, & M. Whanger, Flora of the Shroud of Turin (St. Louis: Missouri Botanical Garden Press, 1999), pp. 14-15, 22.
12. P. E. Damon, et al., "
Radiocarbon Dating of the Shroud of Turin," Nature 337:6208 (February 16, 1989): 611-615.
13. Raymond N. Rogers, "Studies on the radiocarbon sample from the Shroud of Turin," Thermochimica Acta 425/1-2 (January 20, 2005): 189-194.